Boogie Woogie Dancing Shoes, 2008
Acrylic, Oil on linen
38 x 57 in
Price On Request
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Explanation
In order for the work, which is composed of a myriad of details, not to be simply a collection of patterns and images or a haphazard listing of motifs, the artist imposed a certain order on the canvas. The order that the artist has internalized in his format shows a screen composition that poses the space rationally. The artist’s arrangement through a certain spacing or order is a kind of mechanical order based on simple repetition. Relational composition and mechanical repetition are different ways of understanding the world and organizing it into images in art. In the case of the artist, he seems to be using a third order in his paintings that fuses these two orders.
Provenance
Artist Collection, 2023
Early 'Still life' Series
Early 'Still life' Series
Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of university. He realized that our lives
and the things around us are similar in that they are transient,
so he started painting objects made of plastic.
In the context of the accumulation of not only materials but also still lifes,
it shows an early work in which lightness and heaviness,
pleasure and pain, color and black and white, pattern and realism intersect.
Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of
university, and he realized that our
lives and the things around us are
similar in that they are transient, so
he started painting objects made of
plastic. In the context of the
accumulation of not only materials
but also still lifes, it shows an early
work in which lightness and
heaviness, pleasure and pain,
color and black and white,
pattern and realism intersect.
when he was in his third year of
university, and he realized that our
lives and the things around us are
similar in that they are transient, so
he started painting objects made of
plastic. In the context of the
accumulation of not only materials
but also still lifes, it shows an early
work in which lightness and
heaviness, pleasure and pain,
color and black and white,
pattern and realism intersect.
'Pens' Series
'Pens' Series
His art material, ‘pen,’ may seem too simple,
but the artist deals with modern people’s dual and
obsessive desires with allegories of skulls and dolls
appearing in the form of pen caps,
a stacked screen composition,
and the seriousness of writing mood.
His art material, ‘pen,’ may seem too simple, but the artist deals with modern people’s dual and obsessive desires with allegories of skulls and dolls
appearing in the form of pen caps, a stacked screen composition, and the seriousness of writing mood.
'Library' Series
'Library' Series
The ‘Library’ series was inspired by Chaekado
(fixed paintings of brush, paper, and ink)
in the late Joseon Dynasty.
The bookshelf, which seems to be closed, is filled
with smooth-texture books, single portraits,
and icons of traditional paintings.
The ‘Library’ series was inspired by Chaekado (fixed paintings of brush, paper, and ink) in the late Joseon Dynasty. The bookshelf, which seems to be closed, is filled with smooth-texture books, single portraits, and icons of traditional paintings.
'Funkchestra' Series
'Funkchestra' Series
A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.
A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.
'Reflection' and 'Speaker box'
'Reflection' and 'Speaker box'
Early 'Still life' Series
Early 'Still life' Series
Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of university. He realized that our lives
and the things around us are similar in that they are transient,
so he started painting objects made of plastic.
In the context of the accumulation of not only materials but also still lifes,
it shows an early work in which lightness and heaviness,
pleasure and pain, color and black and white, pattern and realism intersect.
Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of
university, and he realized that our
lives and the things around us are
similar in that they are transient, so
he started painting objects made of
plastic. In the context of the
accumulation of not only materials
but also still lifes, it shows an early
work in which lightness and
heaviness, pleasure and pain,
color and black and white,
pattern and realism intersect.
when he was in his third year of
university, and he realized that our
lives and the things around us are
similar in that they are transient, so
he started painting objects made of
plastic. In the context of the
accumulation of not only materials
but also still lifes, it shows an early
work in which lightness and
heaviness, pleasure and pain,
color and black and white,
pattern and realism intersect.
'Pens' Series
'Pens' Series
His art material, ‘pen,’ may seem too simple,
but the artist deals with modern people’s dual and
obsessive desires with allegories of skulls and dolls
appearing in the form of pen caps,
a stacked screen composition,
and the seriousness of writing mood.
His art material, ‘pen,’ may seem too simple, but the artist deals with modern people’s dual and obsessive desires with allegories of skulls and dolls
appearing in the form of pen caps, a stacked screen composition, and the seriousness of writing mood.
'Library' Series
'Library' Series
The ‘Library’ series was inspired by Chaekado
(fixed paintings of brush, paper, and ink)
in the late Joseon Dynasty.
The bookshelf, which seems to be closed, is filled
with smooth-texture books, single portraits,
and icons of traditional paintings.
The ‘Library’ series was inspired by Chaekado (fixed paintings of brush, paper, and ink) in the late Joseon Dynasty. The bookshelf, which seems to be closed, is filled with smooth-texture books, single portraits, and icons of traditional paintings.
'Funkchestra' Series
'Funkchestra' Series
A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.
A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.
