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Hong Kyoungtack (b.1968)

Seoul, Korea

Nam-jun Paik 2, 2007

Acrylic, Oil on linen

28 x 35 in

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About the Work

About the Work

Explanation

A series of works under the title of ‘Funkchestra’, a compound word of funk and orchestra, are presented in color and black and white, pattern (abstract) and realism, in sexuality, closure and eruption, high culture and popular culture, painting and design, religion and pornography. It shows the advanced world of his work that crosses the art world. The configuration of inflammatory bold gothic fonts and realistic descriptions seen in ‘Funkchestra’ reminds us of the traditional poster format. Orthodox icons of Vanitas paintings, such as skulls and butterflies, often appear in his works. It suggests a connecting point with classic paintings.

Provenance

Artist Collection, 2023

Early 'Still life' Series

Early 'Still life' Series

Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of university. He realized that our lives
and the things around us are similar in that they are transient,
so he started painting objects made of plastic.
In the context of the accumulation of not only materials but also still lifes,
it shows an early work in which lightness and heaviness,
pleasure and pain, color and black and white, pattern and realism intersect.

Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of
university, and he realized that our
lives and the things around us are
similar in that they are transient, so
he started painting objects made of
plastic. In the context of the
accumulation of not only materials
but also still lifes, it shows an early
work in which lightness and
heaviness, pleasure and pain,
color and black and white,
pattern and realism intersect.

'Pens' Series

'Pens' Series

His art material, ‘pen,’ may seem too simple,
but the artist deals with modern people’s dual and
obsessive desires with allegories of skulls and dolls
appearing in the form of pen caps,
a stacked screen composition,
and the seriousness of writing mood.

His art material, ‘pen,’ may seem too simple, but the artist deals with modern people’s dual and obsessive desires with allegories of skulls and dolls appearing in the form of pen caps, a stacked screen composition, and the seriousness of writing mood.

'Library' Series

'Library' Series

The ‘Library’ series was inspired by Chaekado
(fixed paintings of brush, paper, and ink)
in the late Joseon Dynasty.
The bookshelf, which seems to be closed, is filled
with smooth-texture books, single portraits,
and icons of traditional paintings.

The ‘Library’ series was inspired by Chaekado (fixed paintings of brush, paper, and ink) in the late Joseon Dynasty. The bookshelf, which seems to be closed, is filled with smooth-texture books, single portraits, and icons of traditional paintings.

'Funkchestra' Series

'Funkchestra' Series

A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.

A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.

'Reflection' and 'Speaker box'

'Reflection' and 'Speaker box'

Early 'Still life' Series

Early 'Still life' Series

Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of university. He realized that our lives
and the things around us are similar in that they are transient,
so he started painting objects made of plastic.
In the context of the accumulation of not only materials but also still lifes,
it shows an early work in which lightness and heaviness,
pleasure and pain, color and black and white, pattern and realism intersect.

Hong Kyoungtack began his series of "Still life" paintings in the 1990s
when he was in his third year of
university, and he realized that our
lives and the things around us are
similar in that they are transient, so
he started painting objects made of
plastic. In the context of the
accumulation of not only materials
but also still lifes, it shows an early
work in which lightness and
heaviness, pleasure and pain,
color and black and white,
pattern and realism intersect.

'Pens' Series

'Pens' Series

His art material, ‘pen,’ may seem too simple,
but the artist deals with modern people’s dual and
obsessive desires with allegories of skulls and dolls
appearing in the form of pen caps,
a stacked screen composition,
and the seriousness of writing mood.

His art material, ‘pen,’ may seem too simple, but the artist deals with modern people’s dual and obsessive desires with allegories of skulls and dolls appearing in the form of pen caps, a stacked screen composition, and the seriousness of writing mood.

'Library' Series

'Library' Series

The ‘Library’ series was inspired by Chaekado
(fixed paintings of brush, paper, and ink)
in the late Joseon Dynasty.
The bookshelf, which seems to be closed, is filled
with smooth-texture books, single portraits,
and icons of traditional paintings.

The ‘Library’ series was inspired by Chaekado (fixed paintings of brush, paper, and ink) in the late Joseon Dynasty. The bookshelf, which seems to be closed, is filled with smooth-texture books, single portraits, and icons of traditional paintings.

'Funkchestra' Series

'Funkchestra' Series

A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.

A series of works under the title of ‘Funkchestra’,
a compound word of funk and orchestra,
are presented in color and black and white,
pattern (abstract) and realism, in sexuality,
closure and eruption, high culture and popular culture,
painting and design, religion and pornography.

'Reflection' and 'Speaker box'

'Reflection' and 'Speaker box'