Jinah Rho studied fine arts at Seoul National University and earned her MFA from the School of the Art Institute of Chicago and PhD in Art & Technology from Sogang University. She is currently an assistant professor at Kyunghee University.

The
solo exhibition of artist Jinah Roh, titled 《Algorithm of Evolutionary Time》, which
questions the future of humanity, will be held from October 11 (Friday) to
November 4 (Monday) at the Oil Tank Culture Park T2 in Mapo-gu. As part of the
2024 Tank Art Festival, the exhibition delves into various issues regarding
machines from a macroscopic perspective of Earth's time.
Supported
by the Arts Council Korea and hosted in cooperation with the Seoul Metropolitan
Government, Oil Tank Culture Park, and the Kyung Hee University Natural History
Museum, the exhibition features four major works: the large-scale new piece
Evolutionary Chimera-GAIA (2024), The Triumph of
General Ludd, (㏒ n) || (2ⁿ) : From the Beach to the Open Sea, and Human-Machine
Chimera.
The
work Evolutionary Chimera-GAIA follows in the lineage of
Roh's previous piece An Evolving GAIA (2017). In this piece,
GAIA emerges as the mother of the Earth, symbolizing the planet as a
self-regulating and interacting organism. As an evolutionary chimera that has
learned the time and history of the Earth, GAIA moves beyond fear of AI
technologies, instead seeking a new language for the co-evolution of humans and
machines as technology grows ever more monumental.

Another
new work, The Triumph of General Ludd, draws on the
historical Luddite movement, which opposed technological innovation out of fear
that advanced technology would replace jobs. The piece features 16 sculptural
heads that each vocalize a chorus celebrating "The Triumph of General
Ludd." Additionally, (㏒ n) || (2ⁿ) : From the Beach to the Open Sea
metaphorically represents humanity’s uncertain future as a beach bordering an
expansive sea, reflecting on the attitude humans must adopt in the face of this
vast unknown.
Jinah
Roh has consistently reflected on the relationship between humans and machines
(or non-humans) in the context of technological advancements like robotics and
AI, raising questions about how humans can frame their inquiries in a rapidly
changing world. As the artist states, “Although rapid technological
advancement, especially AI, seems capable of engulfing everything, humanity
itself is merely a part of the countless cycles of birth and extinction
throughout Earth’s long history.” The exhibition invites audiences to
collectively ponder the next evolutionary time that technology may guide us
towards, amidst the overwhelming waves of change.