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Emerging Artists - K-ARTIST
Emerging Artist SEOM:’s “Sound-Space”: Accumulated Stories of
Space Encountered Through Bodily Experience SEOM:’s “Sound-Space”: Accumulated Stories of Space Encountered Through Bodily Experience 2026.06.01
Emerging Artist Artist Kim Yesul: Reinterpreting
Communities and Places in Everyday Life Artist Kim Yesul: Reinterpreting Communities and Places in Everyday Life 2026.06.01
Emerging Artist Artist Yang Eunkyung:
On Stigmatized and Invisibilized Bodies Artist Yang Eunkyung: On Stigmatized and Invisibilized Bodies 2026.06.01
Emerging Artist Artist Hana Yoo: Experimental Narratives on
Instability Arising from Polarization and Othering Artist Hana Yoo: Experimental Narratives on Instability Arising from Polarization and Othering 2026.05.25
Emerging Artist Artist Ahn Kwanghwee: Questioning Art from Within
the Art Institution Through Hip-Hop as an External Language Artist Ahn Kwanghwee: Questioning Art from Within the Art Institution Through Hip-Hop as an External Language 2026.05.25
Emerging Artist Artist Sophie Jeong: Envisioning
the Future Through Speculative Narratives Artist Sophie Jeong: Envisioning the Future Through Speculative Narratives 2026.05.25
Emerging Artists

Discover Artists
Rho Eunjoo (b.1988)
Time and Sensation Between Generation and Dissolution
Ahn Kwanghwee (b.1988)
Art That Questions Through a Language Outside Institutions
Keem Jiyoung (b.1987)
Relationship Between Individuals and Absurd Social Structure
Jihye Park (b.1987)
Questioning Social Values and Norms
Hyeree Ro (b.1987)
On Things That Resist Easy Definition
Ok Seungcheol (b.1988)
Explores the Tension Between Original and Copy

Archive Shuffle
Exhibitions Artist Heemin Chung Held Solo Exhibition at Thaddaeus Ropac London The first solo exhibition abroad of Heemin Chung (b. 1987), who has explored the boundaries of painting through various artistic experiments, titled “UMBRA,” is being held at the world-renowned gallery Thaddaeus Ropac in London until November 20. This exhibition marks her first solo show at the gallery after signing with Thaddaeus Ropac last year.
2024.10.29
Exhibitions 《Scaffolding》, 2023.05.05 – 2023.06.11, Kumho Museum of Art Kumho Museum of Art presents Part 2 of the exhibition 《2023 Kumho Young Artist》 from May 5 (Fri) to June 11 (Sun), 2023. On the second floor, artist Heejoon Lee’s solo exhibition 《Scaffolding》 will be held.
2023.05.03
Articles [Critique] On the Works of Sujin Moon
2021
Articles [Column] Heemin Chung’s Paintings: Groping for Material to Refine Painting
2023.03.01
Exhibitions 《Exceptionally complex, yet elegantly engineered》, 2023.08.23 – 2023.09.27, Gallery Baton
2023.08.21
Exhibitions 《Deep in the Forking Tanks》, 2019.11.29 – 2020.02.09, Art Sonje Center
2019.11.25

Curator’s Picks

Traditional Sensibilities and Contemporary Painting
Articles Artist Cha Hyeonwook: Reconstructing Memory Through the Transformation of Korean Traditional Painting
Cha Hyeonwook (b. 1987) paints fantastical landscapes where the past, present, and future, as well as fact and fiction, intertwine—drawing from fragments of memory collected through personal experience. He has developed a unique visual language by skillfully combining techniques of traditional Korean landscape painting with painterly approaches found in Western art.
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Articles Artist Grim Park: Queer Narratives Through Traditional Buddhist Painting
Grim Park (b. 1987) explores a range of contemporary narratives—including queer perspectives—through the traditional techniques of Buddhist art. His practice involves constructing new contemporary narratives by merging, deconstructing, and recombining Buddhist iconography with personal and social stories.
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Articles Artist Park Wunggyu Explores the Painterly Possibilities of Traditional Buddhist Painting
Park Wunggyu (b. 1987) has consistently presented works that explore the painterly possibilities of traditional Buddhist painting by creating a symbolic order of positive and negative through subjects that evoke ambivalent emotions.
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Emerging Artists Library

Yang Eunkyung (b.1989)
On Stigmatized and Invisibilized Bodies
SEOM: (formed in 2021)
Resensing Relationships Through “Sound-Space”
Kim Yesul (b.1989)
Reinterpreting Communities and Places in Everyday Life
Ahn Kwanghwee (b.1988)
Art That Questions Through a Language Outside Institutions
Hana Yoo (b.1987)
Unstable States Emerging Within the Gaps of Boundaries
Sophie Jeong (b.1987)
Envisioning the Future Through Speculative Narratives
Solin Yoon (b.1989)
Where Private Experience and Shared Conditions Intersect
Yo-E Ryou (b.1987)
Reimagining Narratives of Water and Women Through a Hydrofeminist Perspective
Heejung Choi (b.1987)
On the Things We Have Lost Today
Jeong Young Ho (b.1989)
Ways of Perceiving and Sensing the World Within the Contemporary Technological Environment
LISEOK (b.1988)
On the Fading Sense of Reality
Kwon Hahyung (b.1989)
Photography Capturing Spaces Imbued with Personal Experience and Memory
Minkyoo Choi (b.1987)
Where Material and Immaterial, Familiar and Unfamiliar Intersect
Ria Choi (b.1988)
On the Autonomy and Presence of Sculpture
Donghae Kim (b.1987)
Visualizing the Relational Flow of Nature
Jihye Park (b.1987)
Questioning Social Values and Norms
Lim Jeong Soo (b.1988)
On the Ways the Subject “I” Is Defined
JOO SLA (b.1988)
A Fleeting Sensory Moment at the Point Where Boundaries Blur and Collide
Kim Eunseol (b.1988)
Embodied Communication and Empathy through a “Intermediary Language”
Hansol Ryu (b.1989)
Visualizing the Contradictory Sensations of Horror and Humor
Sla Cha (b.1989)
Materializing a Virtual Worldview through Collection and Arrangement
Kyungmin Sophia Son (b.1988)
Imagining the World After the Anthropocene
Sujin Moon (b.1988)
On the Relationship Between Body and Mind
Dahwan Ghim (b.1987)
Relationships That Become Paths for One Another
Jeongkeun Lee (b.1989)
Mediumistic Imagination through the Combination of photography and Frame
Ahra Kim (b.1989)
Intersection of Architecture, Sculpture, and Painting
Taeyeon Kim (b.1987)
Finding New Possibilities in the Blind Spots of Reality’s Frameworks
Ram Han (b.1989)
The Ambiguous Boundaries Between Memory and Fantasy
Miki Kim (b.1987)
On the Intersection of Body, Emotion, and Image
Ok Seungcheol (b.1988)
Explores the Tension Between Original and Copy
Hyunjeong Lim (b.1987)
Imagination, Fantasy, and the Surreal
Joeun Kim Aatchim (b.1989)
Painting that Layers Memory and Emotion
Sejin Kwon (b.1988)
The Expanded Possibilities of Painterly Expression
Dasom Park (b.1989)
An Exploration of the Physicality of Painting
Seoul Kim (b.1988)
A Meta-Exploration into Painting as a Classical Medium
Choi Suin (b.1987)
Emotional Scenes Arising from Relationships
Minyoung Choi (b.1989)
Surreal World
Jaeyeon Yoo (b.1988)
Where Reality and Fantasy Coexist
Chansong Kim (b.1988)
The Fleeting Moment When Boundaries Collapse
Wonjin Kim (b.1988)
An Incomplete Chronicle
Hyunmo Yang (b.1987)
Exploring Balance at the Boundaries of the Image
Hyundoo Jung (b.1987)
Indeterminate Abstractions
Shinyoung Park (b.1987)
Reconstructions of Sensory Experience in Unfamiliar Environments
Dongju Kang (b.1988)
The Flow of Time and Space
Woohyun Shim (b.1987)
The Inner World Reflected in the Forest
Park Junghae (b.1989)
The Language of Abstraction
Rho Eunjoo (b.1988)
Time and Sensation Between Generation and Dissolution
Seong Joon Hong (b.1987)
On the Layers of Painting
Joo Yongseong (b.1989)
Photography as Acts of Mourning and Voice
Cho Ho Young (b.1988)
A New Perspective on the Everyday
Chang Hanna (b.1988)
Interwoven Today’s Realities of the Natural and the Artificial
Hur Yeonhwa (b.1988)
Ambiguous Boundaries and Shifting Sensibilities
Oro Minkyung (b.1988)
The Small Movements of Light and Sound
Eusung Lee (b.1989)
The Sense of Bodily Presence
Joo Hyeongjoon (b.1988)
Reality Reflected in the Unconscious
Yaloo (b.1987)
The Poetic Possibilities of Digital Media
Sunjeong Hwang (b.1989)
Human–Nonhuman's ‘Connections’
Yun Choi (b.1989)
A Mutant World of Cache-Images
Hkason (b.1988)
Mediating and Expanding Art
Sang A Han (b.1987)
Soft Yet Sharp Mind and Existence
Nayoung Kang (b.1989)
“Care Labor” and the Relationships Formed Within It
Boma pak (b.1988)
Presence to Marginalized and Disappearing Entities
Oh Jeisung (b.1987)
The Coexistence of Tradition and Modernity
Hyojoo Jang (b.1988)
On Tactility in the Digital Age
Cha Hyeonwook (b.1987)
Reconstructing Memory Through the Transformation of Korean Traditional Painting
Grim Park (b.1987)
Queer Narratives Through Traditional Buddhist Painting
Nosik Lim (b.1989)
Sensory Traces Collected Through Bodily Experience
Son Hyunseon (b.1987)
A relational approach to painting that reflects on seeing
Ahram Kwon (b.1987)
The Illusions of the Media World Through the Screen
Hyun-seok Kim (b.1988)
The Nonlinear Genealogy of Digital Technology
Eunsol Lee (b.1988)
The Existence of Digital Objects
Young-jun Tak (b.1989)
Queer Identity, Religious Belief, and Site-Specificity
Kim Heecheon (b.1989)
Existence and Life Mediated by Digital Data
Mire Lee (b.1988)
Living Machine Sculptures
Hannah Woo (b.1988)
Hybrid and Horizontal World
Hyeree Ro (b.1987)
On Things That Resist Easy Definition
Park Wunggyu (b.1987)
Painterly Possibilities of Traditional Buddhist Painting
Hwang Wonhae (b.1989)
Reconstructing Landscapes of the City
Seeun Kim (b.1989)
Visual Dynamism of Space
Park Noh-wan (b.1987)
Stained Paintings
Hejum Bä (b.1987)
Primitive Perception
Keem Jiyoung (b.1987)
Relationship Between Individuals and Absurd Social Structure
Leekyung Kang (b.1988)
Invisible Structures of Today’s Society
Hyunsun Jeon (b.1989)
The Subtle and Ambiguous Moments of Everyday Life
Heejoon Lee (b.1988)
Visualizing Layers of Time and Space in Urban Landscapes
Jaeseok Lee (b.1989)
Relationship Between Body and Object
Eunsae Lee (b.1987)
Moments of Unstable Change
Heemin Chung (b.1987)
Perception of Reality in the Digital Age