Lee Gapchul was born in Hapcheon, Gyeongnam, and grew up in Jinju. Currently, he is represented by Galerie VU' in France.

From
December 8, 2012 to February 21, 2013, the GoEun Museum of Photography presents
a large-scale exhibition that brings together works revealing the origins and
essence of photography. At a time when digital images proliferate, this
exhibition offers a meaningful opportunity to reconsider photographic identity
and to experience the fundamental power of the medium.
Within its
relatively brief 170-year history, photography has emerged as a new art form
grounded in its inherent properties, exerting significant influence on other
artistic genres and fulfilling a central role in the age of images. While
photography has long been recognized as an art in itself, its diverse
applications within contemporary art have ushered in what may be described as a
golden age.
Yet more than twenty years after the introduction of digital
technology into cameras and computers, Korean photography finds itself
inundated with rapidly produced digital images, placing so-called traditional
photography—photography that is truly photographic—in an increasingly
precarious position.
While
digital photography, as a medium aligned with the contemporary era, must
continue to evolve, the current one-sided dominance of digital imagery raises
serious concerns regarding the future of Korean photography. The essence of
photography lies foremost in its basis in factual documentation.
Photography
must be grounded in reality and faithful to its subject; this is both its
origin and its fundamental principle. Preserving the roots and purity of
traditional photography is as vital as, if not more vital than, generating new
meanings. At this moment, we are passing through a time when this importance
cannot be overlooked.
In this
spirit, the GoEun Museum of Photography organized this exhibition around
photographers whose practices are grounded in the historical legitimacy of
photography. Through the exhibition, the museum seeks to reexamine the purity
and essence of the medium. The eleven participating artists gathered with a
shared commitment to preserving and advancing photographic identity.
Although
their approaches differ, these artists share a common dedication to
photographic history and authenticity. In an era when photography continues to
expand as a significant genre within contemporary art, this exhibition aims to
reaffirm the original meaning and value of photography and to offer a grounded
perspective on its future direction.