Jinah Roh, An Evolving GAIA, 2017, Resin, wood, Interactive system, Dimension variable ©Jinah Roh

It is indeed the era of the post-human.

Although robots that perfectly replicate the human body, like the Terminator T-800, have not yet emerged, artificial intelligence technology has already deeply permeated our lives. Geoffrey Hinton, the developer of deep learning and the recipient of the 2024 Nobel Prize in Physics, stated: "Just as the Industrial Revolution eliminated the human limitation of 'physical strength,' AI will break through the current human limitation of 'intellectual ability.'"

Artificial Intelligence (AI) refers to software, programs, and artificial devices that mimic human intelligence. The core AI technologies can be broadly divided into "deep learning" and "machine learning."

Deep learning is an artificial neural network modeled after the brain's learning process, where numerous neurons exchange information. It learns to distinguish information by repeatedly studying diverse data. Machine learning, on the other hand, refers to active learning technology that enables a system to analyze vast amounts of data and find rules on its own. These technologies fundamentally rely on the vast datasets known as "big data."
Recently, AI has unexpectedly expanded into the field of art, creating friction between creators and consumers.

On March 29th, Elon Musk, CEO of Tesla, announced that he had unexpectedly sold the social media platform "X" (formerly Twitter), which he had acquired in 2022, to his AI company "xAI." This announcement followed a revision to the platform’s terms of service in October 2024, where Musk stated his intention to use images and photos uploaded to X for AI training. The decision, hinting that even trivial user posts could be utilized for deep learning, sparked backlash. Many creators who relied on X as a primary medium expressed their intention to leave the platform, criticizing it for using their works without permission.

Additionally, controversy arose when a company advertised its AI-generated fairy tales with the slogan: "A legitimate shortcut (from idea conception to illustration design)." This slogan was criticized for undermining the value of the fairy tale genre, which traditionally conveys dreams, hopes, and moral lessons to children through the profound contemplation and unique worldviews of writers.

In this post-human era, where AI has deeply embedded itself in the arts, I find myself contemplating as a creator. Should we acknowledge the artistic value of works reborn through deep learning, which absorbs human emotions and techniques? Or should we reject it? Should we adopt a pragmatic approach and take advantage of AI to progress, despite its potential drawbacks?

What worries me most is that AI might not only permeate art but also encroach on the very space occupied by artists.

Even before AI had gained its current level of influence, there was an artist who cleverly expanded the scope of creativity by integrating AI with sculpture. That artist is Jinah Roh.
 
 
Artist Jinah Roh

Jinah Roh is an artist who has been creating AI conversational robotic sculptures and real-time interactive video works by combining sculpture with new media. Her works focus on the relationship between humans and non-humans, questioning the definitions of machines and life by exploring these connections within the exhibition space.

Her works are part of the collections at institutions such as the Nam June Paik Art Center and the Gwangju Media Art Platform. She has also participated in curated exhibitions at the Seoul Museum of Art and the National Museum of Modern and Contemporary Art. Currently, Jinah Roh serves as an assistant professor at the College of Fine Arts at Kyung Hee University.
 
 
 'An Evolving GAIA'

One of Roh's notable works, "An Evolving GAIA," is part of the Nam June Paik Art Center’s collection.

In this new media sculpture, GAIA, a machine that desires to become human, interacts with the audience. When visitors ask questions to GAIA, the sculpture perceives the intent through sensors and responds accordingly. GAIA is designed to learn and evolve, gradually forming a human-like thought process as it receives more questions.

The sculpture features a large, imposing figure with a chest exposed, adorned with red root-like forms, which initially makes viewers feel uneasy.

However, as they continue conversing with GAIA, they experience a strange shift in perception, gradually recognizing it as an individual entity rather than a mere machine.

Roh was inspired to create this work by observing the rapid advancement of artificial intelligence through big data and deep learning. She posed the fundamental question: "If an artifact can almost perfectly imitate a living being, can it be considered a living organism?"



'Evolutionary Chimera-GAIA'

Jinah Roh, Evolutionary Chimera-GAIA, 2024, Interactive bust using AI, PLA, steel, etc, 250 x 640 x 710 cm ©Jinah Roh

This work is an extension of the artist's previous piece, "An Evolving GAIA."

In this new work, GAIA appears as the "Mother Earth" and as a self-regulating, interacting organism symbolizing the Earth itself. Behind GAIA’s face are representations of extinct and living organisms, including dinosaurs and other life forms. The work challenges the distinction between machines and living organisms, suggesting that these entities are not fundamentally different. GAIA openly expresses curiosity about when it might learn emotions and become human, much like its organic counterparts.

 
From Dust You Came, and To Dust You Shall Return

This piece features a robotic head appearing to be buried in the earth. As the audience approaches, the robot opens its mouth and states, "From Dust You Came, and To Dust You Shall Return."

Through this work, the artist questions why robots not only seek to resemble humans but also emulate their birth and death. Is this desire truly from the robots themselves, or is it merely a projection of human aspirations? Why do humans strive to create beings that mirror themselves? If robots become indistinguishable from humans, what kind of world will we share with them?

Through these thought-provoking works, Jinah Roh persistently explores the boundaries between humans and machines, as well as the line between humans and artificial intelligence. In an era where AI increasingly mimics human qualities, how will the value of art evolve? As Roh asks, is it truly the robots that wish to resemble humans, or is it merely a reflection of our own desires?

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