Installation view of 《Lies on Lies: On Photography》 © Total Museum of Contemporary Art

“Do photographs lie?”
 
I once attended a photography workshop in Kota Kinabalu, Malaysia, with a photographer. The artist led a workshop titled “Lying with Photography.” In the first session, the artist asked the students, “What do you think photography is?” The students, as if the answer were obvious, confidently replied that photography is a record of facts and evidence. To these self-assured students, the artist demonstrated just how well photographs can lie. When the workshop ended, the artist asked the same question again. This time, the students hesitated and could not readily answer.
 
Yet photographs are very good at lying. This is not simply because digital technology has advanced, allowing the use of techniques such as Photoshop. Photography has been inherently capable of deception from the very beginning. Depending on how the rectangular frame is composed, how the distance between subjects is arranged, and what angle is chosen, a photograph can effortlessly tell lies about the same situation. Nevertheless, because people often believe that photographs capture reality as it is, they tend to think that photographs are incapable of lying.
 
The exhibition 《Lies on Lies: On Photography》 explores the deceptive nature of photography. It introduces a wide range of works, from documentary photography that claims to record reality accurately (No Suntag, Park Jinyoung), to works that construct unreal situations by assembling fragmented photographic images (Won Seoung Won), to projects that examine how photographs, once detached from their original contexts, are reconfigured into new narratives and memories (Baek Seung Woo, Jang Boyoon), and to works that reveal how unfamiliar everyday spaces can appear when seen through the camera’s gaze (Kim Dokyun, Jung Heeseung).
 
Are lies about lies truth, or are they still lies? Do the works presented in this exhibition truly deceive us? And if they do, what kind of lies are they? The answer is left to the viewer. Through these diverse works, we hope audiences will take time to reflect on the world as seen through the camera, and on the world in which we live, surrounded by cameras.

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