Installation view of 《DMZ OPEN Exhibition: UNDO DMZ》 © Gyeonggi Province

For beings with wings, the boundaries of land often lose their meaning. The Demilitarized Zone (DMZ), where restrictions on human access are stricter than anywhere else on the Korean Peninsula, has become a haven for birds and insects that can freely traverse it. The DMZ is both a subject of scholarly observation and a source of inspiration for artists.
 
《DMZ OPEN Exhibition: UNDO DMZ》, which opened on the 11th in the Paju area of Gyeonggi Province, presents the DMZ as an ecological space through various forms of contemporary art. A total of 26 works by 10 artists are exhibited across Imjingak Pyeonghwa Nuri Park, Gallery Greaves within the Civilian Control Zone, and Tongilchon Village.
 
DMZ Flight, a planar printed work by internationally renowned installation artist Yang Haegue, originally exhibited at the National Museum of Modern and Contemporary Art, Korea from 2020 to 2021, is installed at the center of a grain storage warehouse in Tongilchon Village within the Civilian Control Line near the DMZ. The English title of the work is DMZ Un-Do, from which the overall exhibition title 《UNDO DMZ》 is derived. Using DMZ Flight as a wall, an AI-generated animation titled Yellow Dance (2024) is screened behind it. The six-minute video follows a bee named “Bonghee” as it travels through a fictional postwar Cheorwon in Gangwon Province.
 
At the exhibition’s opening, Yang Haegue remarked to the press, “Because the DMZ is an inaccessible space, it allows room for abstraction to intervene.”
 
After encountering cranes in the DMZ, Young In Hong was deeply inspired and created the installation White Cranes and Snowfall (2024), featuring crane-leg-shaped shoes, as well as the sound work Accidental Paradise (2025), in which her own voice is transformed into the sound of cranes. Works by Yang Haegue and Young In Hong were previously presented at the exhibition 《Undo Planet》 at Art Sonje Center late last year, and have gained further meaning by being relocated to a site near the DMZ.


Kim Taedong, ‘Planetes’ series, 2017 - 2025 © Kim Taedong

Traces left by people in the DMZ have also become works of art. Oh Sangmin created Soil to Soul (2024), a mushroom-shaped lamp made from discarded aramid yarn (used in bulletproof vests), as well as the series ‘Light: Of Nature and Lines In Between’ (2025), in which metal yarn symbolizing barbed wire is woven into panels resembling native climbing plants.

Photographer Kim Taedong has been working on the series ‘Planetes’ since 2017, focusing on moving stars within the DMZ. By mounting an equatorial device on the camera and tracking the trajectories of stars, sites such as the Workers’ Party Headquarters and Baengmagoji—remnants of the Korean War—are captured as blurred, trembling images. Viewing these landscapes around the DMZ, which appear as if shaken by war, prompts reflection on how brief human civilization is compared to the time it takes for stars to form.
 
In Tongilchon Village, located within the Civilian Control Line, an actively used grain storage warehouse has been transformed into an exhibition space. Access to this site requires a reservation for the peace tourism shuttle. Gallery Greaves, established at Camp Greaves—a former U.S. military base for over 50 years—can be reached via the Peace Gondola. The exhibitions at these two locations run through October 19, while the exhibition at Pyeonghwa Nuri Park, located outside the Civilian Control Line, continues until November 5.

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