Daewon Yun, Circle, Chase, Contact, 2025, Video projection, camera, light, live performance, sound, 40min. ©Daewon Yun

《Circle, Chase, Contact》 is a performance work that explores the themes of “contact and connection,” as well as “collectivity.” By inviting the audience to directly participate in the performance, the work forms a temporary “field” of contact, through which it investigates new sensory experiences produced as bodies move back and forth between physical reality and virtual relationships mediated by digital technologies.


Daewon Yun, Circle, Chase, Contact, 2025, Video projection, camera, light, live performance, sound, 40min. ©Daewon Yun

The work is composed of two scenes. In the first scene, based on the concept of tag, situations in which the virtual and the real are intertwined are presented through streaming, recording, projection devices, and improvised movements. The second scene adopts Ganggangsullae, a traditional Korean circle dance, and is structured as a participatory play with the audience, encouraging the formation of a temporary community. Through the familiar format of traditional games, the work raises questions about corporeality and modes of relating in the digital age.

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