The ‘Lady-X’ series focuses on those who are considered
abnormal in the society, and the relationship between such individuals and the
artist herself. The paintings in the series explore the process of ‘Lady-X’, who
has no fixed gender specificity, discovering its own gender identity.
Through ‘Lady-X’, a dendrophilia who feels sexually aroused by trees,
the works go beyond capturing female sexual desires and particular fetishes, to
demonstrating the desires not for females as a subject of the male gaze but for
the female gaze that responds to it. ‘Lady-X’ series touches upon the
fantasy and taboo surrounding the female sexual fantasy, and makes painterly
explorations on the ‘female grotesque’ and the sensations of the female as the
Other.
Jang Pa’s paintings in the ‘X-Gurlesque’ series capture
the complex perspectives on females as a subject and object of desire, by
portraying the female body in a beautifully grotesque and monster-like form,
liquified texture and provocative florescent colors. The ‘Gurlesque’ in ‘X-Gurlesque’ is
a word combining ‘New Grrly,’ ‘Grotesque,’ and ‘Burlesque,’ which means a
literary satire on life, and signifies ‘an artist or poet who fulfills feminism
through superficial and satirical writing.’ It was inspired by the poetry
anthology “Gurlesque: The New Grrly, Grotesque, Burlesque Poetics” by
the American feminist poet and writer Arielle Greenberg and Lara Glenum.
The grotesque, liquified and mutated female body presented
from ‘Lady-X’ to ‘Brutal Skins’ series presented in this
exhibition erupts with the oppressed female senses alienated from the
male-oriented perspective and narrative, through provocative colors and dynamic
brush strokes, therefore shedding light on questions and problems on the society’s
typical outlook on femininity.
Jang Pa (b. 1981) received her M.F.A. in Painting from Seoul
National University, where she received her B.F.A. in Painting and Aesthetics.
She has held solo exhibitions at DOOSAN Gallery New York (2017, New York, NY,
USA), SOMA Drawing Center (2016, Seoul, Korea), Makeshop Art Space (2015, Paju,
Korea), Gallery Zandari (2015, Seoul, Korea), TV12 Gallery (2013, Seoul,
Korea), OCI Museum of Art (2011, Seoul, Korea), and Alternative Space Hut
(2009, Seoul, Korea). She has also participated in group exhibitions at venues
that include Art Space Pool (2017, Seoul, Korea), Seoul Museum of Art (2015,
Seoul, Korea), DOOSAN Gallery Seoul (2015, Seoul, Korea), OCI Museum of Art
(2015, Seoul, Korea), Gallery Button (2015, Seoul, Korea), BMOCA (2015, Paju,
Korea), DOOSAN Gallery Seoul (2014, Seoul, Korea), Common Center (2014, Seoul,
Korea), and Hangaram Art Museum, Seoul Arts Center (2011, Seoul, Korea)