Exhibitions
《Ecstasy on the Surface》, 2019.08.21 – 2019.09.27, The Hope College De Pree Art and Gallery
August 12, 2019
The Hope College De Pree Art and Gallery

Installation view © Leekyung Kang
The Hope College De Pree Art and Gallery will host the multimedia
exhibition “Ecstasy on the Surface,” featuring work by the college’s 2019
Borgeson Artist-in-Residence, Leekyung Kang, from Wednesday, Aug. 21,
through Friday, Sept. 27.
Kang will deliver an artist’s talk on the exhibition’s final day,
Friday, Sept. 27, at 4 p.m. in Cook Auditorium of the De Pree Art Center and
Gallery. A closing reception will follow in the gallery on Friday, Sept. 27,
from 5 p.m. to 6:30 p.m.
The public is invited to the exhibition, artist’s talk and closing
reception. Admission to each is free.
Leekyung Kang creates spatial illusions by capturing unseen
architectural spaces between the second and third dimensions. Influenced by her
training as a painter and printmaker, the work focuses on the materiality of
each medium. In the exhibition at Hope, she applies to the digital realm
her ongoing interest challenging the conventional understanding of space that
focuses on physical state, history and transformation.
“For the past few years, I have been obsessed with the structural
framework and components that make up the urban landscape,” Kang said.
“My work has focused on exploring both exterior surfaces and interior
infrastructure of the cities I have lived in, including architectural imagery
of unfinished scaffold facades through mixed media. The goal of this work is to
expose the unseen and hidden spaces by capturing the raw and unfinished state
of our present environment.”
“Recently, through the exploration of digitized surfaces, my
perception and perspective of reality has been altered. When navigating
the digital world, I often wonder what actually lies beneath the web cursor.
The seamless surface does not reveal the infrastructure of the hidden space,
nor can one see the materiality and responses of data components in ‘real
time,’” Kang noted. “In my work, I attempt to excavate each layer and
explore the unseen space by rearranging components through digital language manipulation
and photo editing.”