Atta Kim was invited to participate in the 53rd Venice Biennale in 2009, had a solo exhibition at the Rodin Gallery in 2008, and was the first Asian to have a solo exhibition at the International Center for Photography in New York in 2006. In 2002, he was the representative artist of the Korean Pavilion at the 25th Bienal de São Paulo. In addition to his work, he has published 17 books, and in 2020, he created ‘Art+Parthenon,’ a space for thought and reflection in Yeoju, Gyeonggi-do.

The Seoul Museum of Art (SeMA)
presents the exhibition 《2017 SeMA New
Acquisitions: Sky, Earth, People》, introducing works
acquired in the previous year to the public and establishing a foundation for
art historical research as well as for reading the flow of contemporary art.
To
this end, the museum analyzes its existing collection to supplement areas that
are underrepresented in art historical and genre-based terms, while annually
acquiring works of significant contemporary value. The Seoul Museum of Art
currently holds approximately 4,700 works in its collection, of which 188 were
acquired in the previous year.
Unlike curated exhibitions that
select works based on predetermined themes and concepts, the New Acquisitions
exhibition possesses a distinct character. In order to establish a certain
structure or form for an exhibition of this nature, it is necessary to reread
history and attempt categorization through the collected works themselves.
Through this process, rather than presenting a single unified landscape, the
exhibition inevitably reveals a condition in which diverse themes and varied
artistic forms coexist amid the intersection of multiple paradigms.
《Sky, Earth, People》 is
an exhibition that introduces new works acquired by the Seoul Museum of Art in
2017. The exhibition title is borrowed from Sky, Earth, People(1990),
a video installation by Oh Kyung-hwa that analyzes the condition of
contemporary life in Korea from historical, political, social, and natural
perspectives, and reflects the position of artists within those structures. The
title thus encompasses the idea that the present state of art, situated within
the structures surrounding us, continues to undergo constant variation through
multiple interrelations, regardless of temporal distance.
Viewed through the three
overarching frames of sky, earth, and people, the exhibition is presented
across the second and third floors, where 66 works of Korean painting,
painting, drawing and printmaking, photography, sculpture, installation, new
media, and craft are on view. On the second floor, visitors encounter
perspectives on natural landscapes both within and beyond art, while the
third-floor galleries invite attention to resonances of different historical
periods. Although each frame reveals a distinct aspect, together they are
expected to form an interconnected portrait of contemporary art.
As indicators that reveal both
the history and present condition of a museum, collections play a crucial role
in establishing institutional identity. The New Acquisitions exhibition, held
annually by the Seoul Museum of Art, aims to deepen understanding of the
museum’s collection and to suggest possibilities for reading the present moment
through reflection on the past.
Beyond this exhibition, works from the
collection are also featured in various curated exhibitions, collaborative
projects with Seoul’s district governments and other institutions, and in SeMA
Collection Lounges established within affiliated organizations.
The museum’s collection serves as
essential material for critically examining contemporary art as an ongoing
history, and as a set of keywords proposing visions for a future yet to come.