Activities
Dongwan Kook, Mira Park, and Jihyoung Han Selected for ‘CKD Yesuljisang 2023’
March 07, 2023
Yoocheol Jung | K Spirit Journalist
Dongwan Kook, Buljang, 2022, acrylic paint and oil
pastel on canvas, 193.9 × 390.9 cm ©Art Space HUE
Dongwan Kook, Mira Park,
and Jihyoung Han have been selected for the “CKD Yesuljisang 2023.”
“CKD Yesuljisang 2023”
is a project jointly organized by Chong Kun Dang Pharmaceutical Corp., the
Korea Mecenat Association, and the alternative space Art Space HUE, with the
aim of discovering and supporting emerging artists and revitalizing alternative
art spaces, thereby contributing to the development of contemporary Korean art.
Now in its 12th edition,
the 2023 CKD Yesuljisang targeted painters under the age of 45 who participated
in exhibitions at alternative and nonprofit art spaces or were selected as
resident artists at major national or public creative studios and nonprofit
institutions during 2022–2023.
Dongwan Kook, Direction Practice #5 2022,, colored
pencil on paper, 54 × 65 cm ©Art Space HUE
The first round of the
judging was conducted by Jun Kim (Professor at Kongju National University),
Sangjin Yoon (Director of Wonder Medium), and Junhyung Lee (Professor at
Kookmin University Department of Fine Art). The second-round judges included
Joowon Kim (Chief Curator at Daejeon Museum of Art), Jihyun Lee (Director of
OCI Museum of Art), and artist Taeseok Joo (former professor at Hongik
University College of Fine Arts). The final selection of Dongwan Kook, Mira
Park, and Jihyoung Han was based on artistic potential and development
capacity, along with the project’s core values of creativity, life, and
healing. These three artists exemplify how painting continues to evolve in
contemporary Korean art.
Mira Park, A
Midsummer Night’s Dream, 2022, acrylic on canvas, 193.9 × 260.6 cm ©Art
Space HUE
Dongwan Kook works
across drawing, painting, and sculpture using a range of formats and media. His
practice, while focused on the intimate world of the individual, increasingly
reveals how society, economy, capital, and politics permeate and affect private
life. His works depict experiences and subjects from the realm of consciousness
through bleached-out images or explore personal identity and existential issues
through bodily transformation.
Recently, Kook’s
paintings have visualized the relationship between Korea’s economic reality and
the life of the artist. These works are inspired by the visual experience of
economic indicators, such as real estate market graphs, and use drawing to
express underlying structures and difficult-to-identify anxieties and tensions
in his own distinct way.
Mira Park, Breathing
Grave, 2022, pen on paper, 30 × 30 cm ©Art Space HUE
Mira Park has developed
her own world through a series of black drawings that confront the darker sides
of humanity. She produces drawings and animations that fill the surface with
black, densely populated with various objects and beings. Her drawing series
portrays a fantastical and surreal world, filled with mystery, darkness, fear,
and anxiety. They depict adult fairytales (grim fairytales) that twist the
cruel and indifferent forces of reality into imaginative narratives.
People with animal heads
and various strange figures act out grotesque dramas. Through surreal motifs
like holes, trees, insects, volcanoes, cliffs, animal heads, masks, and falling
figures, the artist expresses existential anguish and the unconscious. She does
not provide detailed explanations of what happens in the images, allowing
viewers to encounter her black fantasy as allegory or myth reflecting the
unseen aspects of human society.
Jihyoung Han, Success
seekers, 2021, acrylic on canvas, 65 × 92 cm ©Art Space HUE
Jihyoung Han’s work
explores amorphous, organic images across various materials and surfaces,
expressing motion and energy. What might the future look like? The artist
imagines a reset state—just before new sensations and movements begin to unfold
after the complete disintegration of existing civilizations. Her images are not
rooted in specific subjects, events, or stories. They are speculative forms,
free from meaning and interpretation, and do not exist in the present.
As if experiencing
unfamiliar sounds or incidents, Han translates these imagined experiences into
visual form. Her paintings resemble computer-generated visuals of humanity’s
collective fantasies, characterized by dreamy colors and ethereal compositions.
They focus on pre-linguistic sensations, images, emotional experiences, and
atmospheric nuances.
Using the keyword
“transformed body,” she speculates on the evolution of humanity in the context
of molecular biology, information networks, nanotechnology, and the
transformations driven by cutting-edge tech and capitalism.
Jihyoung Han, Angel
still feeling its way–i, 2022, acrylic on canvas, 85 × 85 cm ©Art
Space HUE
Each of the selected
artists—Dongwan Kook, Mira Park, and Jihyoung Han—will receive a total of 30
million KRW (approximately 22,000 USD) over three years, with 10 million KRW
(approximately 7,300 USD) awarded annually to support their creative
production. In the final year of the support period, a group exhibition showcasing
their work will be held.
Meanwhile, a special
exhibition for the three artists selected in 2021—Jaehun Lee, Haeminson Lee,
and Jiksung Jung—will be held at Sejong Center Art Gallery 1 from September 21
to October 2, 2023, as part of the 10th edition of CKD Yesuljisang.