Installation view of 《The Cave Is a Stage》 © Seoripul Gallery

《The Cave Is a Stage》 examines the spatial transformation of Seoripul Youth Art Gallery—an exhibition space operating within an underground passageway—and focuses on the human body as the force that activates this transformation. The exhibition presents bodies situated across multiple spaces and worlds.

Yeonjin Kim and Sooyeon Park sensorially visualize the invisible interior of their own bodies, while WONJEONG DEPARTMENT STORE and Mijeong Park address images and perceptions of the body as shaped by media and society. Sohyun Park and Rahee Oh revisit memories inscribed on the bodies of others, mediated through their own bodily experiences.


Installation view of 《The Cave Is a Stage》 © Seoripul Gallery

The exhibition views the gallery itself as a cave. Upon returning to the surface after viewing the exhibition, the sensation of glare prompts the viewer to perceive the exhibition space as a cave. Applying Plato’s allegory of the cave, the glare might be understood as closer to truth, while the exhibition space could be interpreted as the false world one must escape. However, in this exhibition, the cave is not a false world but a stage.

Rather than a stage upon which shadows mistaken for reality flicker, it becomes a stage where worlds, as perceived through each individual body, unfold. Thus, the cave becomes a stage, and the glare becomes the world that one’s body comes to sense.

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