Jo Jae, On Cooldown 1, 2025, Acrylic on canvas, 160x160cm, Installation view of 《FACTORS》 (WWNN, 2025) ©Jo Jae

WWNN presents its 19th exhibition, 《FACTORS》, a solo show by artist Jo Jae.


On the Meaning of 'Factors'
 
The current moment is shaped by the diversified media landscape born from the acceleration of technological development—this, in turn, becomes a significant factor in shaping contemporary modes of thought and attitude. These expanding and multiplying 'factors' of our environment are both outcomes of change and, at once, necessary and suicient conditions that symbolise the normative structure of a given era. As such, these 'factors' occupy a dual role: passively, as tangible outcomes, and actively, as central agents of form and meaning within broader cultural categories.
 
From this, we can infer that contemporary 'factors' establish their validity both objectively and subjectively, whether in the realm of reason and metaphysics or in that of emotion and sensation. As technological vectors increasingly accelerate the attributes of the subject, the presence of the object becomes ever more tenuous. And yet, the subject cannot exist independently of the object—a foundational inter- dependence that compels us to negotiate the extremes and contradictions of contemporary life in pursuit of systemic stability. Within this overwhelming entangle- ment of myriad forms and phenomena, we are once again called to reflect upon the essence of existence.
 
Jo Jae's artistic practice responds to this rapidly transforming spatiotemporal condition with a distinctly perceptive and, at times, transcendent sensitivity—envi- sioning a newly imagined space-time. His inquiry, rooted in technological progress, is directed towards the various 'factors' that compose our contemporary social fabric, while simultaneously casting light upon the thought processes of those who generate such conditions. In this light, the artist actively engages with the medium of art as an aesthetic instrument that navigates between the material real and the transcendent imaginary—a tool to perform and reflect upon the very notion of contemporary 'reality'.
 
Jo Jae's solo exhibition FACTORS (WWNN, 2025) attempts to depict the structures and orders of our shared society—now diicult to define within conventional systems of meaning. His inquiry manifests in the visual language of the exhibition, which presents images composed across planes. Where previously his work emerged from the overlapping of bodily gestures with the mechanical interactions of the digital age—resulting in spontaneously formed iconographies—this exhibition foregrounds the image itself as a shared mode of thinking. By positioning the viewer as a subject equally implicated in the currents of contemporary life, the artist elevates this collective mode of cognition into what he calls an "Imagery Form."
 
In doing so, Jo synthesises digital, semi-abstract printed images rendered through computer-based processes with analogue, hand-drawn elements, combining these seemingly oppositional modalities into singular, unified compositions. These elements are mediated through translucent layers of colour—simultaneously revealing and concealing their material properties—forming the highest tier of his pictorial surface. Through this symbolic stratification, Jo articulates a vision of systemic operation. The phrase the artist borrows—"On Cooldown"—may be understood as a reflection of this constant flux in which everything is in a state of becoming. It suggests a necessary delay: a pause required to ensure a minimum level of stability within an ever-operating system. In this space between adaptation and progression, Jo Jae's images pose a question to us all: through what manner of thought will we respond to this reality?

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