The macaw made of thick and rough brushstrokes reveals the presence of its shape only in the colors of red, blue, and green. The uniformly painted background without changing the color density removes the sense of depth and emphasizes the flatness of the screen. In this way, the object freed from the color and compositional role of the representational function reinforces the independent position of the stimulating color in painting, and was completed by concentrating on the power of color and line among the formative elements of painting.