Low-cut #43, 2018
White ink snap-lines
on archival pigment print
70.8 x 55.1 in
Shipment from Seoul, Korea
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The work does not simply record a specific space as a photograph, but visualizes the weaknesses of modern society that exist behind the incident through physical and electronic errors in the reproduction process of digital images and the resulting distortion and noise. On the one hand, it appears to have been damaged, on the other hand, through the double-sided image that seems to have been added with a new aesthetic element, it reveals a sense of problem in a uniform view of the times and local issues.
Artist Collection, 2022